How does Chris Nolan convey ‘Memento’ as a psychological thriller?
Nolan conveys ‘Memento’ as a thriller movie in many ways and it can be categorised into the following sections:
Sound
The non-diegetic soundtrack sounds like it’s written in a sad and sombre, minor key. Instantly, the mood of the film reveals negative connotations which links into the dark colours used in the mise-en-scene. This music could make the audience feel uneasy and they may expect that something ominous is about to unfold. The music is slow and this is well synchronised with the visuals onscreen, especially the way in which the credits fade in. Overall, this powerful auditory and visual combination forms an effective, dramatic auditory experience. Additionally, it creates an air of mystery and suspense, which are key staples of the psychological genre.
This is sir’s example of an essay that he showed us to help us get used to the way of writing.
I need to learn to use the technical language and to make my writing more analytical and less like a review.